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Tom Berry

Tom Berry

Two Passions, One Cause

Tom Berry
August 2006

Movies and airplanes. The most noteworthy man to be obsessed with both was billionaire Howard Hughes. Tom Berry's similar passions have not led him to a life of wealth, starlets, and germaphobia. Instead, they have led him to MITRE, where he combines his interest in movies and airplanes for our Center for Advanced Aviation Systems Development. The center is sponsored by the Federal Aviation Administration (FAA).

Berry's job title is principal economics and business analyst. "That's a horrible title, isn't it?" sighs Berry. "What I'd like to change it to is 'Storyteller.'" That's because Berry's specialty is using narrative and visual presentation techniques to educate MITRE sponsors and partners on complex aviation issues. "MITRE is using storytelling as a way to convey our more complex technical engineering ideas to sponsors, so that they can understand them without being required to go into great depth."

A Spoonful of Sugar

The need for a more narrative approach to MITRE presentations became obvious to Berry when he created a 15-minute video outlining the future of traffic flow management. "It had all the details," he says, "and explained how everything would work, but it was just deadly boring. Audiences reacted to it like they were taking their medicine."

Meanwhile, for fun, Berry took bits and pieces of the 15-minute video at home and spliced them into a one-minute fake movie trailer. He was shocked to discover that those who saw both the 15-minute video and the joke trailer actually remembered more details about traffic flow management from the trailer. "And we thought, 'Wait a minute, I think we're on to something here.'"

The Analyst as a Young Man

Berry is no stranger to splicing quirky home movies together. When he was eight years old, he filmed stop-action war movies with his toy soldiers. As he grew older, he and his buddies would borrow filmmaking equipment from their parents and roam around shooting footage. Berry's gang even bought their own equipment after winning $10,000 in a video production contest sponsored by a local radio station. (Their winning entry involved splashing the radio station's logo onto the Washington Monument using movie projectors, a stunt whose statute of limitations Berry prays has expired.)

Despite his passion for filmmaking and his talent at it, after graduating high school Berry did not hitchhike to Hollywood or enroll in NYU. Instead, he took a job as a baggage handler for Piedmont Airlines. Why? "Well, airplanes are cool. There's nothing like being out there standing underneath a big 737, pushing it back and watching it go. They're just cool."

While filmmaking was a hobby, airplanes were in his blood. His father was a pilot in the army whose love for aviation he was more than pleased to share. When Berry decided to get a college degree in aviation management after a few years at Piedmont, his father volunteered to pay his way.

Opportunity Bangs

After earning his degree, Berry went to work for USAir (which had bought Piedmont) as an operations analyst. It was not too long before Berry was presented an opportunity to marry his two passions—and learned a valuable lesson in storytelling.

"One of my first management jobs at USAir was operations procedures analyst," he says. "I was responsible for procedures related to operating the jetway, the movable tunnel that passengers walk through from the terminal to the plane. USAir was cancelling too many flights because our people were banging the jetways into the doors of the planes. We needed a way to show them how to do it right, so I decided to make a training video."

The producer Berry hired to create the video came to him and said, "I have this odd idea." The producer wanted to capitalize on the popularity of General Schwarzkopf's Desert Storm briefings by having the video's narrator present his training points while standing stiffly dressed in camouflage. Berry's reaction? "I thought, 'This is great! We should do this!'"

The result? "Oh, our people hated all the other training videos, but they loved that one."

MITRE & Vine

Berry's embrace of creative storytelling helped him rise in the ranks of U.S. Airways until he was the director of express operations. When an acquaintance who worked at MITRE mentioned to Berry that MITRE was searching for talented people with airline experience, Berry jumped at the opportunity for a new challenge that would keep him involved in aviation. Once at his new job, Berry's talent for visual storytelling again found a chance to shine. And it has been illuminating the way for MITRE's sponsors and partners since.

Berry's recent projects (in which he often collaborates with colleague Greg Nelson) have included a multimedia presentation to brief FAA personnel on a project related to improving air traffic controller productivity and a video for the Air Transportation Association of America designed to educate airline CEOs on the urgent need to transform the nation's air traffic control system.

When asked if he misses driving baggage trucks underneath the outstretched wings of a 737, Berry admits he does at times. "When you work for the airlines, you realize each plane is filled with people going for job interviews, going to visit their grandmas, going for medical treatment, going to close deals on the other side of the country—and they're all depending on you to make the plane go.

"But where I used to help get the planes into the air by fixing the little problems, now at MITRE I do it by helping with the big problems."

—by Christopher Lockheardt


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Page last updated: August 11, 2006   |   Top of page

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